For the first time in its history, Vassar College's Frances Lehman Loeb Art Center will feature a broad range of French Impressionist and Post-Impressionist holdings of works on paper created in the second half of the 19th century and the earliest years of the 20th century.
"From Manet to Picasso: Impressionist and Post-Impressionist Prints and Drawings," an exhibition drawn primarily from the permanent collection of the Frances Lehman Loeb Art Center at Vassar College, runs from Friday, April 6, through Sunday, June 10.
In this richly experimental era in French art, artists sought to translate onto canvas and paper certain leisurely moments by suggesting the verdant atmosphere of a country landscape, for example, or the cerebral musing of a museum visitor. Recreating a personal window upon the world, these modernists emphasized the pictorial elements of a scene, suggesting through paint and printer's ink the visual immediacy of the moment, whether that glimpse is a color-saturated spring day or a gray-toned, muted reverie. Later 19th century modernists, termed Post-Impressionists, emphasized the structures of objects, with frequent use of patterns, lines, and flat planes of color often enhanced with symbolic overtones.
In focusing upon the intimate, personal media of prints and drawings, the exhibition explores the vital nature of works on paper during this pivotal era in the history of European art. Etching and lithography are well represented among the printmaking processes, while charcoal and graphite figure prominently among the media in the drawings on view. The processes of etching, drypoint, monotype, lithography, and woodcut provided the framework for a flowering of printmaking in France in the second half of the nineteenth century. Etching dominated in the earlier part of the period while lithography surged in its later years. At the same time, mediums such as ink, charcoal, conté crayon, pencil, pastel, watercolor, and gouache gave the means to sketch out ideas, record scenes, or create finished works. Each of these processes and mediums appealed to Impressionist and Post-Impressionist artists for artistic reasons that had to do with historical precedents, avant-garde attraction, or technical capacity to suggest a visual message. These works also documented in a refined way the social and cultural infrastructures that engaged these artists' thinking and looking.
The exhibition, accompanied by a complimentary catalogue, is organized by Patricia Phagan, the Philip and Lynn Straus Curator of Prints and Drawings. It will travel to the Sioux City Art Center in the fall, on view from October 13 to December 9. The exhibition benefits from the generous support of the Friends of the Frances Lehman Loeb Art Center.
The Frances Lehman Loeb Art Center will open docent-led tours on Saturdays and Sundays throughout April. Museum visitors may choose tours of the exhibition or the permanent collection. Saturday morning tours are geared toward families, and will begin at 11 a.m. Adult-oriented tours will begin at 3 p.m. on Saturdays and Sundays. Tours are free and open to the public. Reservations are not required.
Admission to the Frances Lehman Loeb Art Center is free. The Lehman Loeb Art Center is open to the public Tuesdays through Saturday, from 10 a.m. to 5 p.m., and Sundays, from 1 to 5 p.m. The Center is wheelchair accessible. For more information, call (845) 437-5632 or visit http://fllac.vassar.edu/.
Vassar College is a highly selective, coeducational, independent, residential liberal arts college founded in 1861.
Individuals with disabilities requiring accommodations or information on accessibility should contact Campus Activities Office at (845) 437-5370. Without sufficient notice, appropriate space and/or assistance may not be available.
Vassar College is a highly selective, coeducational, independent, residential liberal arts college founded in 1861.
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